Chicken Pox Fox
Donna Disco
Walker Theatre
5/March/2015
When one attends a play with little or no information other than what is written in the Theatre Severn handbook, it is always quite natural to feel a little trepidation. Sometimes it is well founded and one can be trapped in a disastrous piece of twaddle that deserves a place in the Hall of Theatrical Shame! Donna Disco is certainly not one of those shows quite the reverse. This is a piece of Theatre gold.
Presented by Chicken Pox Theatre in association with Live Theatre, Donna Disco tells the story of a poor unfortunate fourteen year old girl who was bullied into a very untimely and tragic death.
However the story, performed by Paula Penman as the school girl, held strong and potent messages presenting bullying and its merits from the perspective of its victim; Donna Disco.
It was a tour de force. Penman brilliantly captured the spirit of this lovable all accepting and fun loving teenager and one couldn’t be helped to be drawn on the beauty of the character she had found.
Fulfilling all the criteria for portable theatre (it all has to fit in a van and a car) the show was minimalistically set with just a school desk, a couple of chairs and a standard lamp. But the theatre was in the eyes and the heart and the words of this poor girl whom one couldn’t help but love.
The narrative deals with a teenage girl’s perceptions of life and death. Her take on Cancer that killed her Nan, who incidentally was played resourcefully by a sock puppet on Donna Disco’s right hand, was just so poignant and relatively choking for anyone who has recently lost a relative. It also addressed acceptance of alternative lifestyles, trnsgenderism, homosexuality and relationships. Sounds like a heavy piece of theatre. Not a bit of it!
The sock puppet convention was brilliant and we all enjoyed meeting Donna's mother who appeared on the left hand. She was a a trying sort of woman who ,”lied at funerals,” by forcing tears out from an already exhausted supply.
There was some beautiful observations such as the one cited above from writer Lee Mattinson’s pen.There was such inspired observations and some brutally honest views of stuff that we grown-ups push away and find difficulty in talking about . Everything was so candid as the old quote suggest, “from the mouth of babes comes truth.”
Donna Disco is an inspired and clever piece of work. It is pure theatre and confronts some serious issues but with an inquisitive and sanguine point of view.
Not only should this show be held as a bench mark in live theatre it should also be held up as a beacon amongst the genre of one woman shows.
Simply Brilliant!
This is a four star review.
Owen Lewis